Г5—54 is a sound-centered project based on analog electromechanical audio generation and synthesis, named after the widespread Soviet video pulse generator, which is used as the main audio-effect trigger controlled by audio signals of the most powerful FM- and TV-stations available on the area.
The goal it manifested at its first appearance could be defined as the mechanism of strengthening connections between the experience of sound as a performative continuance and the impression of images, texts, and objects as stable and constant entities.