Living analog life

2018 Electromuseum, Moscow | I'm not a robot exhibition

Color print, 220 x 148 cm, 2017—2018

Curated by Olga Deryugina

The superiority of analog-life is not so surprising if you are familiar with the mathematical theory of computable numbers and computable functions

Freeman Dyson

The first records of a photo film, partly exposed, made spontaneously for rewinding, keep the most analog of its features: scratch marks, high-contrast grain with fairly blurred and faint outlines. Online search of analog images results in the flow of files which have little in common with the original; the source image is composed from these pictures as if they were pixels.

I am not a robot

text by olga deryugina

We live in the late-modernist society that finds itself (according to Giorgio Agamben) in the permanent state of emergency. The socio-political system is aligned to multiplying the new ways and methods of detecting and preventing potential disasters. In such conditions, if one wants to be counted as reliable or non-malicious, they need to prove their humanity to a machine.

I am not a robot — this phrase contains a key paradox of a contemporary person whose everyday practice is in most cases mediated via human-machine interaction. No matter, how much we talk about the seeming neutrality of computers — no programming code designed to interact with the physical world could operate avoiding ethical dilemmas.

The contradistinction of machine and humane, or of virtual and real, seems naive today — contemporaneity unfolds joining these two dimensions, one inseparably linked with the other. The deeper this interconnection becomes, the more questions and tasks we have to confront, expanding our presence in the digital world.

Communication between human species in virtual space is secondary towards human interactions with various algorithms and interfaces. However, we still speak about human-machine interactions using sociological or biological terms, thus blurring the specificity of how actors connect in the network structure.

The question then arises: is it possible to perceive and describe the communication systems where both human and non-human actors participate, not using metaphoric comparisons of the biological and the technological, not trying to convert and apply the principles of one to the other? This is just one of many topics that appear concerning the problem of digital memory.

Transformations of self-presentation, policies of access to digital data, divisions between public and private — each new technological instrument provides a whole new field for the analysis and re-configuration of habitual notions.

Participants: Danja Vasiliev (WORM, Rotterdam), Ekaterina Vasilyeva, Uliana Golub, Sasha Litvintseva, Silvio Lorusso, Maksim Mesiats, Alexander Minchenko, Sara Culmann, Liudmila Kalinichenko, Ivan Petrokovich, Dasha Trofimova, Egor Tsvetkov.

Exhibition catalogue in PDF can be downloaded here:

PDF Catalogue (8 MB)